dorian mode การใช้

• In musical terminology, the minor scale that results is called the Dorian mode.
• The chorale melody in Dorian mode is present in all movements but the first aria.
• Thomas Luis de Victoria's motet " O Magnum Mysterium " is in the Dorian mode.
• They include the English musician Dorian mode ( 2003 ), which is frequently performed by youth orchestras.
• Naturally, the Dorian mode of D should be marked as 2 = D and based on 2.
• Like Dorian mode mentions " Eleanor Rigby ", Mixolydian mode " Sweet Child o'Mine ".
• In this sense, in Ringk's manuscript, the piece is written down in D Dorian mode.
• The modern Dorian mode resembles the Greek Dorian " harmonia " resembles the modern Phrygian mode .)
• The mode of this melody comes from the Dorian mode scale on C, but the accompaniment plays unrelated polytonal.
• Hofmann notes that the Dorian mode within the instrumental concerto in E minor adds a " slightly archaic flavour ".
• The Dorian mode is harmonically similar to the ascending melodic minor scale, except for the major seventh degree in minor.
• Almost all traditional dumy from the Poltava and Slobozhan traditions use a Dorian mode with occasionally raised 4th degrees and subseptatonium.
• Conte's lead playing is mostly in an expanded blues style often using blues, pentatonic and Dorian mode scales.
• The modern Dorian mode is equivalent to the natural minor scale ( or the Aeolian mode ) but with a major sixth.
• Walter Everett considers that McCartney's solo is in the same Dorian mode adapted by Harrison in " Love You To ".
• About " Eleanor Rigby ", he said it is " an urban version of a tragic ballad in the Dorian mode ".
• The composition adheres to the pitches of the Indian equivalent of Dorian mode and emulates the khyal vocal tradition of Hindustani classical music.
• The sound of a hymn in dorian mode plays in a faux bourdon style, rhythmically ambiguous so as to resemble liturgical singing.
• These included E major as well as E in Phrygian mode and again in Dorian mode, but not E minor per se.
• Significantly, this tune is in the Dorian mode on A, with C natural throughout, rather than the Mixolydian mode of the Dixon tunes.